PHOTO STORY: Toronto BLOCK THE TORCH! Rally…

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[food not bombs feeds the fire.]

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[pre-march speeches at college and university.]

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[
information and background. click to enlarge.]

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[these camera-guys were there from a couple of the major news stations. when they noticed me taking pictures, they struck some poses, which i said looked nice. "don't worry," i told them, "you'll be on the cover of the star tomorrow." they laughed and said they didn't believe me. then the one on the right piped up and said "yeah, more like the communist star." nice one, buddy.]

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[as the dozen-or-so police realize that this protest isn't going to stay put, or stay on the sidewalk, they scramble to figure out what to do. on their bikes, they attempt to box us in at college and elizabeth.]

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[just when things seem to be dying down, we find a hole in the armor and spill out and down elizabeth, heading towards yonge and gerrard.]

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[protestors spilling everywhere. cops confused as all hell.]

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[a cop carved out of wood. another temporary blockade of police bikes. click to enlarge.]

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[we arrive at yonge and gerrard to see that the protest is having an effect. there are about 50-75 police, on bikes and in cars, blocking yonge and gerrard going south. to the north, yonge street is empty and people line the streets as the  torch makes it's way down.]

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[standoff at yonge and gerrard. click to enlarge.]

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[the improvised police "blockade" at yonge and gerrard. click to enlarge.]

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[we determine the location of the torch and head north to yonge and college. the police are unable to catch up and retain us, so the intersection turns into a complete clusterfuck and blocks the torch's path. at this point, the torch is up around yonge and wellesley, and has to be "split in two" and diverted. apologies for the lack of focus. most of the time, i'm barely even looking through the viewfinder.]

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[it's a weird scene at yonge and college. some people boo us, other people join us, and others just whip out their camera phones and start snapping photos. in a weird way, we've become just another aspect of the olympic spectacle for these people. a strange feeling to say the least. click to enlarge.]

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[
reinforcements arrive in the form of cars and horses. the spectators there to see the torch seem bewildered by the whole thing. click to enlarge.]

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[the mounted police always piss me off most. i think if the horses knew that the work they were being forced to do was so unjust, they would be pissed too. click to enlarge.]

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[some people there to see the torch are indeed quite... charming, as jeanette put it. in this bad photo, a man in a cowboy hat gives me the finger and calls me an asshole. off-camera: i return his sentiment.]

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[we make our way up towards college and wellesley, even closer to the torch, and the mainstream media is swarming at this point. unfortunately, they aren't terribly interested in talking to the protestors. instead, this reporter asks dozens of spectators what they think of the protest ("it's ridiculous! these bums should go home!"), a nice "balanced" view.]

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[somewhere around yonge and maitland, the cops bring in serious reinforcements and start being more serious about pushing people around. the intersection fills with somewhere between 150-200 cops, some of them looking like they just rolled out of bed and still putting on their uniforms. they fall into various formations and split the protest up on either side of yonge street. two minutes after this photo was taken, one of the apparent "leaders" of the squad said quietly to the cop in this photo "that guy over there (referring to one of the aboriginal protestors in a bandana), if something happens, take him out first." i ask loudly "who are you going to take out." the cop who said it says "we're not going to take out anybody" loudly. i ask her to repeat what she said to the other officer. she refuses.]

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[at this point, it's impossible to move forward. but some of the protestors that have been split off make their way down to nathan phillips square and drop a banner to disrupt everyone's "good time."]

this blog post is pieced together from my recollection and documentation of the fast-moving events from last night. for a more articulate and complete retelling, check out the official torch block blog.

also, for an eyewitness report from someone who wasn’t actually a protestor, but who provides some good insight, check out nealj’s livejournal entry.

PLEASE NOTE: reposting of photos is welcome, but MUST be credited – “photos by karol orzechowski / decipherimages.com”

PHOTOGRAPHY: Place Hands, Tomcat Combat & A History Of…, Project 165, Toronto – 06/18/09

Place Hands:

Tomcat Combat:


A History Of…

On June 18th, 2009, for the first time ever, an all ages show was held at the Project 165 space that I am a volunteer at. The show featured bands from Toronto and Halifax, and was so fucking loud I almost couldn’t stand it. It was part of a larger installation of the Remember Who’s Emma project, a film that I made the DVD menu for. The director of the film, Lyndall Musselman, put together an amazing piece of work, and did a fantastic job of sifting through history to present a coherent story.

The all-ages show was a joint production of Cognate and Project 165. Recognize.

PHOTOGRAPHY: a morning at the boneyard…

[as always, click on the horizontal shots to enlarge.]

i spent this morning in a graveyard, though i didn’t have anyone to bury. it’s a graveyard on jones ave., non-descript, i’ve biked by the wall that hides it a thousand times before i knew what it actually was. around the west side of it was a fence topped with barbed wire that was scaled easily enough, and i was in. i spent about an hour there, wandering around slowly, looking at details, breathing deeply, and taking photos. it was quiet, the sun was low but the light was sharp, and the grass was still moist with dew.

some explanation of the photos: this is an all-jewish cemetery. the pebbles captured in one of the photos are on left on top of the headstones, part of a jewish tradition that signifies that the grave has been visited, and honoured. the yard has a wall around three sides of it, and fencing all around it garnished with three strands of barbed wire. it is obviously a very private place, and though i was trespassing, i did so humbly and did my best not to disturb anything during my visit. i’m not sure what would’ve happened if i got caught.

PHOTOGRAPHY: a study in rick…

Rick K. is one of the least egotistical people I know, which is why he’s so easy to photograph. Where someone else might fuss with their hair or fumble with the edges of their clothing, Rick can’t be bothered with the artifice or the effort. If asked to smile, he responds “make me smile.”

The above set of photos is taken from four separate encounters with the man they call Rick, in four distinct modes of being.

WORDS AND PHOTOGRAPHY: travelogue to nowhere – Hushed Monkees

[benny from Barf, Pigeons! lays it down.]

This past weekend, my band Hush Money released our new album, Hush Money Goes Infinity. To celebrate this fact, we played three shows across southern Ontario, in Toronto (our current home), Peterborough (our former home) and Ottawa (my surrogate home).

I don’t go on roadtrips often enough. But one of my new year’s resolutionz is to play more shows out of town, whether it be with Hush Money, Magical Powers, or garbageface. And this past weekend was a chilling tale of things to come. Ready? Okay then.

[matt from Barf, Pigeons! gets swirrrrrllyyyy.]

There aren’t many Toronto bands I love more than Barf, Pigeons!. Though we played with some amazingly stellar bands that night (including the indubitable Please Stand By We’re Having Technical Difficulties and the irreversibly fun B’MO Crazy), I was unable to photograph them because of my duties at the door and getting amped for our own performance. Barf, Pigeons! are the love-children of Primus, Politics, Frank Zappa and Chocolate Cake. They got the grooves to start a righteous mosh. Be there.

The show, the crowd, the love that night was amazing. I loved every minute of it. If every night could be that much fun…..

[beside ray's place.]

The next morning (early afternoon) my musical partner Ray and I scrape ourselves together and load up the Golden Snitch (the name of the tour car) for a short ride to Peterborough, AKA Boomtown. Just outside Ray’s place, I notice some killer (literally, killer!) icicles, and think: Isn’t “icicle” kind of a weak name for something that could impale you like a shish kebab? Seriously. I think after they reach a certain size, they should be called “icikills.”

[another roadside attraction.]

Isn’t it funny how the mention of urine makes you have to urinate about ten times more than you did just the moment before? Well, on our way to Boomtown, I mention something about urine, and Ray has to pull over. We stop at “GoGo Pizza & Subs”, potentially the bleakest highway pizza joint I have ever seen from a distance. Truthfully, I was too scared to even approach it, for fear of getting sucked into a dead end job.

[daiquiri contemplates their existence at the spill.]

We arrive in Peterborough and head straight to The Spill, where we meet up with the guys in Daiquiri and Please Stand By. Daiquiri are a band that has been a huge influence on me, both in terms of musical exploration and in pushing the boundaries of performance. They are also grizzled music veterans who have been around the block before most of us were allowed to go on the block at all, and they have a no-bullshit attitude that I truly appreciate.

Just before going on stage, Mike and I are having a good laugh at the circumstances of the night, and the relatively poor turnout. I say to Mike, “you guys are grizzled veterans, eh?” and he replies to me through am ironically desperate laugh, “Karol, I don’t feel a thing.” Ha. I love these guys. And of course, they give us a show worthy of ten times as many audience members.

[the spill closed.]

Did i mention that we blew the speakers at The Spill? And that the owner Dave wasn’t even pissed about it, and even invited us back? Wow. He is a good man. A true rarity in the rock music world. Even after we brought out a thin crowd and blew his speakers, he’s still willing to have us back. Pretty great.

[turnip and tessa.]

Through a lovely twist of circumstance, we end up staying at our dear friend Tessa’s place, just around the corner from the venue. She gives us comfortable sleeping arrangements, introduces us to her lovely cat, and gives us delicious coffee in the morning.

Just before we go to sleep, though, there’s a strange knock at the door, and a woman who looks like she just strolled off a catwalk is asking if this is the house where she can find “Tony,” and some other names I can’t remember. She seems shocked that none of them live here. Weird.

[mandatory suicide.]

Before getting back in the car to get some food, I put the camera on the roof of the car and we do the obligatory “hey, we’re travelling as a band” group shot.

[flavor flav gone white firefighter.]

Before leaving Peterborough, we get a few slices of Night Kitchen pizza, cause that’s what you gotta do when yr in that town. They always have vegan slices on hand. Do it. Eat there.

[safety dance.]

Once again, the urination rule proves itself to be true, and as we drive down the dangerous highway seven, I mention to Ray that I have to pee. Within minutes, he is about to burst, and we have to pull over before either of us have an “accident.”

[jacquie blue, howling.]

I love Ottawa, because it is full of good people. One of them is Jacquie Blue, who sings in the glorious Ladymilk. In addition to Jacquie, there is Fran and Pete, two of my favourite people in the world, who still to this day treat me unnaturally well… For example, when Ray and I arrive in Ottawa at Pete and Fran’s place, Fran has already put together a delicious meal, and Pete is off somewhere doing the legwork to make sure we have a good sound system for the night. AND, they let us stay at their place, and once again feed us. Wow.

[mike taking a breather.]

After Ladymilk rocks the par-tay, Hush Money gives it the old college try, and then Daiquiri takes the stage. They tell the audience that they are breaking their 2-year old BAN on playing any shows in Ottawa, because they have gotten so little love from this town. So it truly is a special evening: The Milk plays their first show in 8 months, The Money releases their new album, and The Daq lifts the ban. This calls for a drink.

[an awkward pause.]

Seeing Daiquiri is always worth the price of admission. In addition to their energy and the almost telepathic way they communicate, you are sure to hear some brilliantly dry, scathing comedy from Mike at some point in the night. The jokes don’t do well transcribed, but if you find yrself on the butt end of one of these jokes, you will feel it. Hard. In a good way. In yr bowels. Ouch.

[shreddingz.]

They play with a guitar, some sampler type gear, and two vocals. And somehow, it just sounds like mayhem. HARD KARAOKE.

[yayas.]

For the first time ever (and I’ve seen them play at least a dozen times now), I see Leigh do a guitar solo. And it is hilarious in it’s non-solo-ness. They literally cut the backing music so that Leigh can take the crowd on a glorious guitar journey. He cops all the right poses and hits all the wrong notes. On Purpose.

[keeping it kneel.]

I don’t know much, but I know that I wish I could play guitar like this. On my knees, with my hair hanging in front of my face, and probably thinking “man, I am killing this shit right now. I’m on the edge of puking rock from every orifice.” Or something like that. Roughly.

[gobling.]

I think Mike went through three costume changes in total for this show. He is a snappy dresser, and all of his outfits seemed very well coordinated. Or maybe it was the booze.

[behind the mask.]

Oh shit, did I forget to mention that Leigh got on the drum kit for a song? Yup. If you’ve heard any of the records, you will know that in addition to programming some awesome shit and playing mad guitar, Leigh also somehow knows how to own a drum kit. And for a few minutes, he did it live. Worth the price of admission, right there.

[the last time i will ever caption.]

And almost as quickly as The Daq takes the stage, they are replaced by their alter-ego, Two Fans, a band that plays only covers of power ballads. They go through classics such as “Night Fever” and “Under Pressure,” and by the time the sound curfew rolls around, they’ve got the whole crowd too amped to leave without an encore. They deliver. Ladies swoon. Men swoon in secret. The perfect end to a perfect night.

And that’s that. A blast of a weekend and a trio of parties that I’m going to remember for a long time coming. And come this summer, my trip will hopefully make this one seem like a brief warm-up.