INTERVIEW: Themselves

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[photos and interview by karol o.]

When you say “live rap” you might think of bands like The Roots, multi-piece funk / soul bands with emcees that play smooth and ride easy flows. But Themselves (Adam “Doseone” Drucker and Jeffrey “Jel” Logan) are perhaps one of the only live rap bands around these days. They use the original building blocks of rap – samplers and drum machines – but turn them into live instruments that they twist and turn into an unequivocal racket of groove, all right before your eyes and ears. They (ha) are currently on tour in support of their dizzying new album CrownsDown.

EID: What is “CrownsDown”? What does the title of the album mean?

Doseone: Crownsdown is our truism, a term to our language of rap, that encapsulates the arrow and edge of us at this point in time, like “Ready to Die.” Jeff and I gently set our worth down on the table of days before us. Not out of confidence but reverence and earnest.

EID: On the second track on the album, you give people your home address and tell to come and “get their careers over with already.” Has anyone yet come to either of your houses looking for a battle?

Doseone: Not yet, but I can’t wait. I hope I am in underwear with my toothbrush in one hand and a bill in the other while I kill a kid on my stoop.

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EID: Why are there no lyrics included in the album?

Doseone: We put them in the digital booklet. It was a tough call, but the ten photos in the book are specifically set and shot to be theoretical 12″covers. So each song gets its own diorama of sorts. I enjoy the maturity and room for interperetation it leaves to the listening person.

EID: How were these new songs written? Did beats come first? Did words come first?

Doseone: A bit of both. Overall, Jeff and I sat with our concept of classic rap albums, and fostered our own astranged version of such a criteria. We then tried to discern what “type” of rap song motiffs still could hold true and reign potent in the 2000s. So we had a bootlegging song, a don’t-mess-with-the-dj song, a defend-rap-from-nogooders song and so on. And for some of these we had a very clear idea of what the production should be. For “Oversleeping,” we made that beat together, and I was like, oh this is the clean-out-the-closet skeleton crush jam, and I wrote the song in a single eve. “Back II Burn” was written as a long poem by Pedestrian and I, and Jeff and I then made a triumphant album begining beat to match and modify the mood of the poem.

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EID: What is touring like for you guys? What is the weirdest thing you’ve seen on this tour?

Doseone: It’s pretty great for us right now. We are the fastest of friends, and really just beginning to open up as a two-man rap band. So it’s somehow, all new again a decade later and our people are very happy to have us right now. Things feel flush: we are giving our appreciators a meal that is shaped just like their hunger.

You know, we were in Denny’s, and they were selling a shirt that says “get your grave on.” I shit my pants! It’s like a dose shirt. It may not be the weirdest tale, but when corporations make something adorable and advertised in the language of death, one must shake their head, take note, and see things as new and oddly futuristic.

EID: How is playing support different from headlining?

Doseone: We are co headlining, which I like. Sometimes opening is great, cause crowds can get drunk and long day drowsy on you. And opening tends to be the sweet spot. Truthfully I live for my hour on stage, and will take it anyway I can. Jeff and I don’t need cake and pointy hats, to bring it birthday to the ageing.

EID: What’s the plan when the tour is over?

Doseone: We are finishing a remix record for CrownsDown, and Jeff will be sealing shut his new solo record. I am going to be finishing “unearthing” with Alan Moore and Andy Broder, and then its onto Nevermen with [TV On The Radio's] Tunde [Adebimpe] and mighty Mike Patton. The rest is blood, sweat, bills, and B-movie dreams.

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>>>END.<<<

[for more photos from the Toronto show, check out the decipher photo gallery.]

PHOTOGRAPHY: Place Hands, Tomcat Combat & A History Of…, Project 165, Toronto – 06/18/09

Place Hands:

Tomcat Combat:


A History Of…

On June 18th, 2009, for the first time ever, an all ages show was held at the Project 165 space that I am a volunteer at. The show featured bands from Toronto and Halifax, and was so fucking loud I almost couldn’t stand it. It was part of a larger installation of the Remember Who’s Emma project, a film that I made the DVD menu for. The director of the film, Lyndall Musselman, put together an amazing piece of work, and did a fantastic job of sifting through history to present a coherent story.

The all-ages show was a joint production of Cognate and Project 165. Recognize.

WORDS AND PHOTOGRAPHY: travelogue to nowhere – Hushed Monkees

[benny from Barf, Pigeons! lays it down.]

This past weekend, my band Hush Money released our new album, Hush Money Goes Infinity. To celebrate this fact, we played three shows across southern Ontario, in Toronto (our current home), Peterborough (our former home) and Ottawa (my surrogate home).

I don’t go on roadtrips often enough. But one of my new year’s resolutionz is to play more shows out of town, whether it be with Hush Money, Magical Powers, or garbageface. And this past weekend was a chilling tale of things to come. Ready? Okay then.

[matt from Barf, Pigeons! gets swirrrrrllyyyy.]

There aren’t many Toronto bands I love more than Barf, Pigeons!. Though we played with some amazingly stellar bands that night (including the indubitable Please Stand By We’re Having Technical Difficulties and the irreversibly fun B’MO Crazy), I was unable to photograph them because of my duties at the door and getting amped for our own performance. Barf, Pigeons! are the love-children of Primus, Politics, Frank Zappa and Chocolate Cake. They got the grooves to start a righteous mosh. Be there.

The show, the crowd, the love that night was amazing. I loved every minute of it. If every night could be that much fun…..

[beside ray's place.]

The next morning (early afternoon) my musical partner Ray and I scrape ourselves together and load up the Golden Snitch (the name of the tour car) for a short ride to Peterborough, AKA Boomtown. Just outside Ray’s place, I notice some killer (literally, killer!) icicles, and think: Isn’t “icicle” kind of a weak name for something that could impale you like a shish kebab? Seriously. I think after they reach a certain size, they should be called “icikills.”

[another roadside attraction.]

Isn’t it funny how the mention of urine makes you have to urinate about ten times more than you did just the moment before? Well, on our way to Boomtown, I mention something about urine, and Ray has to pull over. We stop at “GoGo Pizza & Subs”, potentially the bleakest highway pizza joint I have ever seen from a distance. Truthfully, I was too scared to even approach it, for fear of getting sucked into a dead end job.

[daiquiri contemplates their existence at the spill.]

We arrive in Peterborough and head straight to The Spill, where we meet up with the guys in Daiquiri and Please Stand By. Daiquiri are a band that has been a huge influence on me, both in terms of musical exploration and in pushing the boundaries of performance. They are also grizzled music veterans who have been around the block before most of us were allowed to go on the block at all, and they have a no-bullshit attitude that I truly appreciate.

Just before going on stage, Mike and I are having a good laugh at the circumstances of the night, and the relatively poor turnout. I say to Mike, “you guys are grizzled veterans, eh?” and he replies to me through am ironically desperate laugh, “Karol, I don’t feel a thing.” Ha. I love these guys. And of course, they give us a show worthy of ten times as many audience members.

[the spill closed.]

Did i mention that we blew the speakers at The Spill? And that the owner Dave wasn’t even pissed about it, and even invited us back? Wow. He is a good man. A true rarity in the rock music world. Even after we brought out a thin crowd and blew his speakers, he’s still willing to have us back. Pretty great.

[turnip and tessa.]

Through a lovely twist of circumstance, we end up staying at our dear friend Tessa’s place, just around the corner from the venue. She gives us comfortable sleeping arrangements, introduces us to her lovely cat, and gives us delicious coffee in the morning.

Just before we go to sleep, though, there’s a strange knock at the door, and a woman who looks like she just strolled off a catwalk is asking if this is the house where she can find “Tony,” and some other names I can’t remember. She seems shocked that none of them live here. Weird.

[mandatory suicide.]

Before getting back in the car to get some food, I put the camera on the roof of the car and we do the obligatory “hey, we’re travelling as a band” group shot.

[flavor flav gone white firefighter.]

Before leaving Peterborough, we get a few slices of Night Kitchen pizza, cause that’s what you gotta do when yr in that town. They always have vegan slices on hand. Do it. Eat there.

[safety dance.]

Once again, the urination rule proves itself to be true, and as we drive down the dangerous highway seven, I mention to Ray that I have to pee. Within minutes, he is about to burst, and we have to pull over before either of us have an “accident.”

[jacquie blue, howling.]

I love Ottawa, because it is full of good people. One of them is Jacquie Blue, who sings in the glorious Ladymilk. In addition to Jacquie, there is Fran and Pete, two of my favourite people in the world, who still to this day treat me unnaturally well… For example, when Ray and I arrive in Ottawa at Pete and Fran’s place, Fran has already put together a delicious meal, and Pete is off somewhere doing the legwork to make sure we have a good sound system for the night. AND, they let us stay at their place, and once again feed us. Wow.

[mike taking a breather.]

After Ladymilk rocks the par-tay, Hush Money gives it the old college try, and then Daiquiri takes the stage. They tell the audience that they are breaking their 2-year old BAN on playing any shows in Ottawa, because they have gotten so little love from this town. So it truly is a special evening: The Milk plays their first show in 8 months, The Money releases their new album, and The Daq lifts the ban. This calls for a drink.

[an awkward pause.]

Seeing Daiquiri is always worth the price of admission. In addition to their energy and the almost telepathic way they communicate, you are sure to hear some brilliantly dry, scathing comedy from Mike at some point in the night. The jokes don’t do well transcribed, but if you find yrself on the butt end of one of these jokes, you will feel it. Hard. In a good way. In yr bowels. Ouch.

[shreddingz.]

They play with a guitar, some sampler type gear, and two vocals. And somehow, it just sounds like mayhem. HARD KARAOKE.

[yayas.]

For the first time ever (and I’ve seen them play at least a dozen times now), I see Leigh do a guitar solo. And it is hilarious in it’s non-solo-ness. They literally cut the backing music so that Leigh can take the crowd on a glorious guitar journey. He cops all the right poses and hits all the wrong notes. On Purpose.

[keeping it kneel.]

I don’t know much, but I know that I wish I could play guitar like this. On my knees, with my hair hanging in front of my face, and probably thinking “man, I am killing this shit right now. I’m on the edge of puking rock from every orifice.” Or something like that. Roughly.

[gobling.]

I think Mike went through three costume changes in total for this show. He is a snappy dresser, and all of his outfits seemed very well coordinated. Or maybe it was the booze.

[behind the mask.]

Oh shit, did I forget to mention that Leigh got on the drum kit for a song? Yup. If you’ve heard any of the records, you will know that in addition to programming some awesome shit and playing mad guitar, Leigh also somehow knows how to own a drum kit. And for a few minutes, he did it live. Worth the price of admission, right there.

[the last time i will ever caption.]

And almost as quickly as The Daq takes the stage, they are replaced by their alter-ego, Two Fans, a band that plays only covers of power ballads. They go through classics such as “Night Fever” and “Under Pressure,” and by the time the sound curfew rolls around, they’ve got the whole crowd too amped to leave without an encore. They deliver. Ladies swoon. Men swoon in secret. The perfect end to a perfect night.

And that’s that. A blast of a weekend and a trio of parties that I’m going to remember for a long time coming. And come this summer, my trip will hopefully make this one seem like a brief warm-up.


PHOTOGRAPHY: Whale Tooth, Sneeky Dee’s, Toronto, Ont. – 10/17/08

[click on the horizontal photos to see larger versions.]

It’s kind of hard to make a case for a friend’s band without it sounding like payola. It’s rare that I don’t like my friends’ bands, because I like them as people, and I understand them as musicians, I reckon. But this is different. I only know one fella in Whale Tooth, so my opinion of them is (relatively) untainted by the filter of friendship.

So believe me when I say this: Whale Tooth is worth every penny. They sound like lemonade and soy ice cream on the last day of summer, right before school starts again. And you get on yr bike and you pedal over to yr buddy’s place and you both decide to check out the abandoned warehouse down the road, one last time before they demolish it. So yr exploring this abandoned warehouse, there’s light pouring through cracks in the windows making beams in the dusty air, and you hear barking. Holy shit, the guard dog. So you and yr buddy run like the dickens, running and running and laughing. And just as you get over the fence, the guard dog gets there, unable to reach you through the chain links. You both laugh, panting. Tomorrow it’s back to work, but for now it feels like freedom.

check:

Whale Tooth

PHOTOGRAPHY: Orca, Akroid & ManKillsMan, Siesta Nouveaux, Toronto, Ont. – 08/27/08

ORCA:



AKROID:



MANKILLSMAN:

SIESTA NOUVEAUX:

These are some high-ISO shots from a show I went to this past week. My friends in Orca put together this bill, and it was loud as all hell. Wickedness. No Flash, No Booze, No problem.

Okay, okay, so it was a bit of a sausage party. Most metal shows are.

ORCA
AKROID
MANKILLSMAN