INTERVIEW: Tim Fite and A Bag of Fireworks…

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[photos and interview by karol o.]

Ask Tim Fite the same question on two different days, and you’ll probably get two different answers. That doesn’t mean he’s not honest; Though Fite cultivates a fairly elusive and enigmatic persona in the music press, he is also disarmingly frank and unpretentious. After years of creating meticulous and finely crafted sort-of-hip-hop (that still somehow sound homemade), Fite is taking stock of his career to date, and planning his next bold moves.

I caught up with Tim Fite after his third and final Halloween Bash, after the dust had settled on some legal matters and as Fite prepared to launch his brand new website. The site showcases Fite’s full spectrum of creativity, including lots of (FREE!) music, and a wealth of visual art.

EID: I don’t know if you remember me. On Halloween night I was one of the Canadians that you gave a bag of fireworks to.

TF: Yeah, I totally remember. Those fireworks were precious. I heard you got in trouble.

EID: On our way home we ended up lighting a bunch of them off at a truckstop. A guy who worked at the truckstop McDonald’s told us to put them in the garbage and leave. About twenty miles down the road, five state troopers stormed onto the bus I was on and… Well, to make a long story short, I was charged with 5th degree Arson (with intent to damage property) for torching a garbage can. I guess some of the spent fireworks were still hot.

TF: Oh my god. That’s fucked up. I’m so sorry, man.

EID: I just want you to know that I didn’t snitch, so you’re safe.

TF: {laughs} I’m glad. We don’t like snitches. But either way, that sucks. I didn’t think you could get in that much trouble. If I did I wouldn’t have given them to you.

EID: I remember you handing them to me and saying “I want you to get arrested in New York.” And we had a good laugh about that. {laughs}

TF: Will you have a record in Canada?

EID: I’m currently arranging to pay restitution so the charges get dropped. I won’t have a record. My friends who were involved in the fireworks display have offered to split the fine with me.

TF: Thank goodness, man. I’d offer to chip in too. I have friends who have gotten into that sort of thing. You know, you do something foolish, and you end up being treated like a terrorist forever.

EID: I’m not too worried about it. And it was a good story. Dealing with the State Troopers was a trip.

TF: I think there are no human beings more awkward than policeman. They serve the function of every fucked up, socially awkward activity known to man. You know, they’re simultaneously brutal and non-communicative. {laughs}

EID: One of them told me that if I went for the door, he was going to shoot me.

TF: Aw, Christ.

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EID: Have you ever been arrested?

TF: Never officially.

EID: What does that mean?

TF: I’ve been… Like when the police harass you and put you in the car and make you feel terrible but you really didn’t do anything wrong so they haven’t really arrested you.

EID: What was your last experience with a police officer?

TF: We hit an old lady’s car at Bonaroo. We backed into it and she took my license and registration and insurance card and ran into her house and held it hostage until the police came. The police sat us down and were mean and fucked up to us because we were in Tennessee. We didn’t even bump the lady’s car. There was nothing wrong with it. But they went along with her and claimed it was going to cost a thousand dollars to fix.

EID: Have you ever been in trouble on Halloween?

TF: Yeah. Not with the police, but pretty much every single physical fight I’ve ever been in has happened on or around Halloween. You know, it’s a mischief night. People are out acting bad. Kids are all around and you have to defend your honor in order to win the game.

EID: This year marked the third and maybe final installment of your Halloween trilogy of albums. Why Halloween? Why not Christmas or Mother’s Day?

TF: Because I like dressing up scary and being scary. It gives you a lot more room to pretend. I guess you could pretend in the same way on Mother’s Day but that might be creepy. Like, really creepy.

EID: It seems like the Halloween thing is one part of a larger enigma of Tim Fite. It’s hard to find a lot of information about you.

TF: It’s all true. And none of it’s true. Just like any good story.

EID: How do you decide when to tell the truth and when to make stuff up?

TF: I don’t know if I really even know the difference. {laughs} Maybe I tell the truth when I don’t want anyone to have a good time. {laughs}

EID: What’s the most personal question you’ve ever been asked?

TF: “Do you love me?” And the answer is invariably “yes.”

EID: Is there anything you won’t write about?

TF: I don’t know. I don’t think there’s anything I wouldn’t write about. Maybe if I was sad because my dick fell off or something. I might not write about that.

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EID: You don’t just write, and make music. Visual art is a huge part of the show. The Halloween bash in Brooklyn was decked out in art of your own creation. You could just as easily just get up there and play. It would still be entertaining.

TF: But it wouldn’t be as much fun for me. The art stuff I do to entertain myself. The music helps to entertain the people.

EID: Will you ever make Halloween music again?

TF: I think I’m done. I think I’m good to go. I need a Halloween off where I can go get into some fist fights.

EID: What’s happening on 11/11?

TF: I’m relaunching my website, I’ve redesigned it. There will be a bunch of stuff available that hasn’t been available for free. I’m gonna be a lot more vigilant about updating it. There’ll be 40-or-so drawings that you can suck into your computer. The Water Island record for free, which no one has been able to get their hands on real easily, and a new animated thing I’m working on called Dog and Pony Show.

EID: You give away a lot of music, but you’ve been doing this for a while. It doesn’t seem part of this trend of bands just giving away their music. Why did you start doing that?

TF: There’s a difference between what I do and devaluing music by the current trend of giving it away. I think that current trend tends to devalue music because it’s not truly free. People turn around and figure out a way to sell it later. I give shit away because it’s free and kind and that gives the value back to it for me. I get value out of sharing it in that way. The shit that I sell, I don’t make any money off of anyway. {laughs}

>>>END<<<

PHOTOGRAPHY: Themselves, Sneaky Dee’s, Toronto – 03/28/09

I’ve been a huge fan of doseone and jel, collectively known as Themselves, for about 8 years. When I first heard Them and The No Music, I was blown away by a wholly new textured approach to Hip-Hop that shunned heavy-handed gangster posing and bragging about money (though I still love that shit) in favour of something more subtle and open-ended. Listening to The No Music on headphones and wandering around Ottawa in the middle of the night are some of the fondest memories I have gathered in my entire life. Last night, I saw Them for the first time ever, and they did NOT disappoint.

This is live hip-hop. Don’t get me wrong, because I do love The Roots, but they’re not so much live rap as they are a band with an emcee. Themselves use some of the traditional tools of rap, but kick it completely live, triggering the beats on the fly, improvising and crunching their old material into unrecognizably delicious new ish (for a very chill example of what jel can do, check out a small sample here). On top of the maelstrom, doseone turns the voice into a virtuous machine of syllables synthesizing serious style, and skipping the simulacra.

Do yrself a favour. Go to the Anticon website and pick up the new Themselves Mixtape FREEhoudini here. It won’t cost you a thing and it’s the best 40-ish minutes of rap to come out this year.

(I was experimenting last night with a bit of a weirder technique than I usually use for my photos. Hope you like it.)

WORDS AND PHOTOGRAPHY: travelogue to nowhere – Hushed Monkees

[benny from Barf, Pigeons! lays it down.]

This past weekend, my band Hush Money released our new album, Hush Money Goes Infinity. To celebrate this fact, we played three shows across southern Ontario, in Toronto (our current home), Peterborough (our former home) and Ottawa (my surrogate home).

I don’t go on roadtrips often enough. But one of my new year’s resolutionz is to play more shows out of town, whether it be with Hush Money, Magical Powers, or garbageface. And this past weekend was a chilling tale of things to come. Ready? Okay then.

[matt from Barf, Pigeons! gets swirrrrrllyyyy.]

There aren’t many Toronto bands I love more than Barf, Pigeons!. Though we played with some amazingly stellar bands that night (including the indubitable Please Stand By We’re Having Technical Difficulties and the irreversibly fun B’MO Crazy), I was unable to photograph them because of my duties at the door and getting amped for our own performance. Barf, Pigeons! are the love-children of Primus, Politics, Frank Zappa and Chocolate Cake. They got the grooves to start a righteous mosh. Be there.

The show, the crowd, the love that night was amazing. I loved every minute of it. If every night could be that much fun…..

[beside ray's place.]

The next morning (early afternoon) my musical partner Ray and I scrape ourselves together and load up the Golden Snitch (the name of the tour car) for a short ride to Peterborough, AKA Boomtown. Just outside Ray’s place, I notice some killer (literally, killer!) icicles, and think: Isn’t “icicle” kind of a weak name for something that could impale you like a shish kebab? Seriously. I think after they reach a certain size, they should be called “icikills.”

[another roadside attraction.]

Isn’t it funny how the mention of urine makes you have to urinate about ten times more than you did just the moment before? Well, on our way to Boomtown, I mention something about urine, and Ray has to pull over. We stop at “GoGo Pizza & Subs”, potentially the bleakest highway pizza joint I have ever seen from a distance. Truthfully, I was too scared to even approach it, for fear of getting sucked into a dead end job.

[daiquiri contemplates their existence at the spill.]

We arrive in Peterborough and head straight to The Spill, where we meet up with the guys in Daiquiri and Please Stand By. Daiquiri are a band that has been a huge influence on me, both in terms of musical exploration and in pushing the boundaries of performance. They are also grizzled music veterans who have been around the block before most of us were allowed to go on the block at all, and they have a no-bullshit attitude that I truly appreciate.

Just before going on stage, Mike and I are having a good laugh at the circumstances of the night, and the relatively poor turnout. I say to Mike, “you guys are grizzled veterans, eh?” and he replies to me through am ironically desperate laugh, “Karol, I don’t feel a thing.” Ha. I love these guys. And of course, they give us a show worthy of ten times as many audience members.

[the spill closed.]

Did i mention that we blew the speakers at The Spill? And that the owner Dave wasn’t even pissed about it, and even invited us back? Wow. He is a good man. A true rarity in the rock music world. Even after we brought out a thin crowd and blew his speakers, he’s still willing to have us back. Pretty great.

[turnip and tessa.]

Through a lovely twist of circumstance, we end up staying at our dear friend Tessa’s place, just around the corner from the venue. She gives us comfortable sleeping arrangements, introduces us to her lovely cat, and gives us delicious coffee in the morning.

Just before we go to sleep, though, there’s a strange knock at the door, and a woman who looks like she just strolled off a catwalk is asking if this is the house where she can find “Tony,” and some other names I can’t remember. She seems shocked that none of them live here. Weird.

[mandatory suicide.]

Before getting back in the car to get some food, I put the camera on the roof of the car and we do the obligatory “hey, we’re travelling as a band” group shot.

[flavor flav gone white firefighter.]

Before leaving Peterborough, we get a few slices of Night Kitchen pizza, cause that’s what you gotta do when yr in that town. They always have vegan slices on hand. Do it. Eat there.

[safety dance.]

Once again, the urination rule proves itself to be true, and as we drive down the dangerous highway seven, I mention to Ray that I have to pee. Within minutes, he is about to burst, and we have to pull over before either of us have an “accident.”

[jacquie blue, howling.]

I love Ottawa, because it is full of good people. One of them is Jacquie Blue, who sings in the glorious Ladymilk. In addition to Jacquie, there is Fran and Pete, two of my favourite people in the world, who still to this day treat me unnaturally well… For example, when Ray and I arrive in Ottawa at Pete and Fran’s place, Fran has already put together a delicious meal, and Pete is off somewhere doing the legwork to make sure we have a good sound system for the night. AND, they let us stay at their place, and once again feed us. Wow.

[mike taking a breather.]

After Ladymilk rocks the par-tay, Hush Money gives it the old college try, and then Daiquiri takes the stage. They tell the audience that they are breaking their 2-year old BAN on playing any shows in Ottawa, because they have gotten so little love from this town. So it truly is a special evening: The Milk plays their first show in 8 months, The Money releases their new album, and The Daq lifts the ban. This calls for a drink.

[an awkward pause.]

Seeing Daiquiri is always worth the price of admission. In addition to their energy and the almost telepathic way they communicate, you are sure to hear some brilliantly dry, scathing comedy from Mike at some point in the night. The jokes don’t do well transcribed, but if you find yrself on the butt end of one of these jokes, you will feel it. Hard. In a good way. In yr bowels. Ouch.

[shreddingz.]

They play with a guitar, some sampler type gear, and two vocals. And somehow, it just sounds like mayhem. HARD KARAOKE.

[yayas.]

For the first time ever (and I’ve seen them play at least a dozen times now), I see Leigh do a guitar solo. And it is hilarious in it’s non-solo-ness. They literally cut the backing music so that Leigh can take the crowd on a glorious guitar journey. He cops all the right poses and hits all the wrong notes. On Purpose.

[keeping it kneel.]

I don’t know much, but I know that I wish I could play guitar like this. On my knees, with my hair hanging in front of my face, and probably thinking “man, I am killing this shit right now. I’m on the edge of puking rock from every orifice.” Or something like that. Roughly.

[gobling.]

I think Mike went through three costume changes in total for this show. He is a snappy dresser, and all of his outfits seemed very well coordinated. Or maybe it was the booze.

[behind the mask.]

Oh shit, did I forget to mention that Leigh got on the drum kit for a song? Yup. If you’ve heard any of the records, you will know that in addition to programming some awesome shit and playing mad guitar, Leigh also somehow knows how to own a drum kit. And for a few minutes, he did it live. Worth the price of admission, right there.

[the last time i will ever caption.]

And almost as quickly as The Daq takes the stage, they are replaced by their alter-ego, Two Fans, a band that plays only covers of power ballads. They go through classics such as “Night Fever” and “Under Pressure,” and by the time the sound curfew rolls around, they’ve got the whole crowd too amped to leave without an encore. They deliver. Ladies swoon. Men swoon in secret. The perfect end to a perfect night.

And that’s that. A blast of a weekend and a trio of parties that I’m going to remember for a long time coming. And come this summer, my trip will hopefully make this one seem like a brief warm-up.


PHOTOGRAPHY: AIDS Wolf & Satanized, The Boat, Toronto – 01/08/09

Satanized:


AIDS Wolf:

COMPLETE FUCKING CHAOS.

Satanized are a band from Philadelphia with three unassuming gentlemen as the backline, and one Nick Cave / Glenn Danzig / Pink Eyes type dude manning the microphone. They raised all holy hell and within two songs, Nick Danzig was shirtless and in the crowd, getting hectic. Happy fun! The devil wears a blazer.

It was another killer, cathartic, unhinged, dangerous, absolutely crushing show by Montreal’s AIDS Wolf. This was my tenth (10th) AIDS Wolf show, and it was probably the best one I’ve seen so far. They made a mockery of the world with their righteous noise, laying it on so thick as if to say “hey, clowns: fuck you.”

No Hyperbole.

PHOTOGRAPHY: The Hungry Ghost Festival, The Sound Academy, Toronto – 12/05/08

THE SOUND ACADEMY:

Cutting their teeth on big stages and big ideas, The Hungry Ghost Festival is a Toronto band with serious plans. I’ve known the lead singer of this band longer than anyone else in my life, except for my parents and my sisters. He is one crazy bastard, and if you go see them live, he will make it worth your while. Tell him Karol sent you.

check it:

The Hungry Ghost Festival.