SHORT FILM: field trip

FORMAT: Digital

DIRECTED BY: karol orzechowski

SCREENINGS: coming soon…

For more information about field trip, please see the mini-site.

INTERVIEW: Liars

Liars raise demons. If you’ve got some skeletons in your closet, they will pull them out, dust them off, and use their ribs like a xylophone. They’re a band that critics loved, then hated, and now love again, and they don’t seem to care much either way. Living in the long shadow of hype is normally enough to make the strongest band cynical, but the truth is, Liars are downright cuddly… After this interview was finished, singer Angus Andrew gave me a big hug, and said thank you for my time. Seriously.

When I caught up with Liars on their tour for Drum’s Not Dead, I gave them three themes we could talk about: Criticism, Places, or Animals. They chose Animals without skipping a beat.

everyoneisdoomed: In your lyrics there are horses, spiders, cats, dogs, dragons, donkeys, bears…

julian gross: wow.

eid: …and not in your lyrics, but in your videos and promo stuff there are farm animals and slugs. Why do you choose to use animal imagery so much?

angus andrew: I think we all really love animals. I think there’s something about the animal kingdom per se that is mystical in the sense that they’re communicating with each other and things are going on that we still don’t know anything about. It’s great to see two dogs interacting and what sort of things they could be talking about, we don’t know. I think for those images or those elements allow for a deeper look into the way things interact, so if you use a spider as a representation of a person it becomes something a little tangible.

eid: How do you see yourselves as animals?

julian: Do you mean what kind of animal?

eid: sure.

angus: Didn’t we figure this out already? When we were reading those books… The Dark Material or something like that? Anyway, the premise in pretty much a whole book is that every human has an animal, and that animal is a representation of that person’s soul…

julian: …and they change until you become an adult and once you become an adult, you fix on a certain animal.

angus: We would always discuss which animals could be ours and Julian’s would be a cat.

eid: Why?

julian: You know, I like to sleep, I like to cuddle, I like to purr, I like to lick things.

eid: So is that like the Liars’ Book Club?

angus: It is. I mean, we go on tour a lot together so that’s obviously an economical way to get through material. We read the whole The Lion, The Witch and the Wardrobe before it was cool again. That was right before [the album] …Drowned, so we got really into that. It was good inspiration for us.

eid: What experiences have you guys had with animals? Did you guys have pets growing up?

angus: I have a great story. Am I talking too much? [laughs] Me and my mum were kayaking in the middle of the ocean, and she was reading a book and I was paddling. All of a sudden, out of the clear blue stillness, came a ssscccccccrrreeeeee and it was a whale. It was pretty close… And I kind of look back on this point as a weird point, but my gut reaction was to just dive in after it. I know it’s weird, but it was awesome. I could to see the whale underwater and it was like the size of a bus, driving away.

julian: I love that story. I really do. We were just in the great barrier reef recently, me and Aaron [Hemphill], and that was absolutely beautiful. It was so amazing.

eid: Snorkeling?

julian: Snorkeling and scuba diving. We’re men now so we decided to take the next step and add the oxygen tank. We also went to the Daintree, the oldest rainforest in the world, plus one of the seven wonders. Dippin’ in it. Swimmin’ around.

eid: Aaron, any experiences that you’ve had with animals that you’d like to tell us about?

aaron hemphill: I used to catch rattlesnakes when I was a kid and try to sell them to hospitals for anti-venom to make money. You catch them with this special noose.

eid: Can you actually do that?

aaron: You can, but they don’t need that. And when they see, like, four ten-year-olds with skateboards and a PVC bucket with sand coming out of the bottom, they know there’s something wrong. So they would always flip out. They don’t do that, you know? Hospitals don’t buy shit from kids. It’s not like they have a room where they fang out the venom and mix it around.

julian: Would you take them there alive or dead?

aaron: Alive, yeah. You can’t get the venom out unless they’re alive.

eid: So apart from what animals you might see yourself as being, if you could be any animal, what kind of animals would you be?

angus: I like the elephant. A motherly figure, solid, dependable, can cry.

julian: I wanna go with the cat still, because I just like the whole way that they do their thing. But you know, there’s something to be said for birds: They fly, and that’s kinda awesome.

eid: Okay, so, last animal question: On a level playing field – where there was water deep enough so that a Shark could maneuver, but shallow enough so that a Bear could stand and move freely – who would win in a fight between a Bear and a Shark?

aaron: Shark. No question.

angus: Bear.

julian: I’m gonna go with shark.

eid: Why?

julian: I mean the shark’s mouth is just huge. One snap, bear’s leg gone. Then what? Then what’s the bear gonna do?

aaron: It’s a marine animal. A bear can swim or hunt in water, but it’s not the best at it. It’s like asking if the shark would win on land vs. the bear.

angus: I still think the bear. I mean, the bear’s tough. They catch fish out of the water already, so why not a big one?

>>>END.<<<

INTERVIEW: Geoff Lawton, Pt. 2


geoff lawton

[interview by Douglas Barnes, photos stolen from the internet.]

On October 1st this year, I grabbed Geoff Lawton on the last day of a Permaculture Design Certificate Course he was teaching with Permaculture founder Bill Mollison. Geoff had some alarming things to say regarding the state of the world’s environment.

everyoneisdoomed: The last time I saw you, 2004, you mentioned two events – the first one you mentioned was the tsunami that you did work on in ’98; and we of course had the big one in December. And the other event was New Orleans, which you mentioned to us and told us what could possibly happen and that it wasn’t a conspiracy theory or anything like that. It happened. What are your thoughts on those two events?

GEOFF LAWTON: Well, the tsunami was one that took everyone by surprise. And the size of the event obviously shocked everybody, you know, how vulnerable people are at a distance to a natural event like that.


satellite photo of indonesian tsunami of 2004

One of the great results from the recovery, sort of the design side of the tsunami, was that some of the government agencies listened to our research that we had from the New Guinea tsunami. We had researched the fact that tree belts buffered the impact and particularly filtered out the destructive debris in the waves and were a lot less fatal to people when there was a tree belt on the foreshores. That was very easy to reference in the December Indonesian tsunami because there was so much footage. And it was easy to see if you scanned through the footage that where there were dense tree belts on the foreshore, there was hardly any damage behind and a very significant drop if any loss of life at all behind large tree belts. Although those shots weren’t shown on the news very much because the media, as usual, concentrated on the sensationalism of the catastrophe and the biggest damage. But the Indian government surveyed the aerial footage and they could see very easily that where there were tree belts, there was less damage. And they initiated a planting of 8 million trees in the first wave of repair along foreshores. And they also looked at using trees that would grow on the foreshore and be functional and productive. So, they choose some productive species that would also handle those situations. And they put in a theme of honoring all the people who were lost in that there were trees that were donated to victims, and their families were given permission to plant trees at ceremonies, so [the trees] are kept alive. So that was good.


photo recovered from tsunami

One of our directors, Andrew Jones, actually got the job of heading up the post-tsunami rehabilitation assessment consultancy team in Indonesia, based in Jakarta. And we’ve got permaculture education systems going up in the repair of Aceh on the people-scale to start with and the initial reconstruction. And there’s still talk of total redesign in a more sustainable way – but there’s been a large problem with the bureaucracy throughout the Indonesian government on the spending of the money and how it will actually be processed. We tried our hardest to get those sorts of permaculture initiatives in. And permaculture is written as the main part of the rehabilitation assessment consultancy for the UNEP. So that work goes on.

There’s a gentleman called Steve Cran working for the Indonesian permaculture group IDEP, who are based in Bali. Steve Cran is teaching courses there in Aceh. And there are people working on the ground with reconstruction. So hopefully that goes on as research that will go further into helping any future tidal wave, tsunami-type disasters. It’s obvious that tree belts, appropriately dense tree belts on the foreshore mitigate the power of the tsunamis and definitely filter out destructive debris.


photo recovered from tsunami

Then we have New Orleans. It was only a year ago when we were there in August the year before Katrina and we were teaching a course there and we were evacuated when Hurricane Ivan nearly hit New Orleans. A million people were evacuated, and we were part of that. And we were half way through a Permaculture Design Course which we had to shift up country a few hundred miles. And now the scenario that’s been painted for a long time, the drowning of New Orleans – there was even a book, The Drowning of New Orleans that described exactly the scenario that’s happened. And the reality is there.


satellite photo of hurricane katrina

What has become really obvious is the knock-on scenario that when you have a disaster in a first world country, you have this enormous amount of ongoing residual damage because of the amount of possessions and property and equipment ownership of first world people. And the knock-on event that happened with the oil refineries and the oil rigs where 12% of America’s oil got knocked out of production and out of circulation. And that doesn’t sound like much, but because America consumes so much oil, that’s a very large amount of oil out of the world circulation. And it’s had worldwide repercussions, and thats just one little storm, really. It’s knocked out one city, really, or one area with one major city. So I think there’s a real serious look now at the global situation of global warming, weather patterns, what’s causing it, why the northern hemisphere is hotter than the southern hemisphere – which is obviously because there are more industrialised human settlements in the northern hemisphere and the separation of the weather systems around the Hadley cell at the equator. I think it’s crunch time and Bill Mollison’s been saying this for over 20 years; he’s actually been naming the time frame – “ithin 50 years,” he said in 1983, “you’re going to see major changes.” And here we are just 25 years later, we’re only half way into it and you’ve got it, you’ve got it happening fast.

eid: The other day you mentioned the first south Atlantic hurricane in history.

GEOFF LAWTON: Yeah. Well it hasn’t really been much spoken about in the general press because it didn’t cause a lot of damage. Catarina was the name of the hurricane in the southern Atlantic below the equator and there they’ve never been recorded. That’s the first ever and meteorologists are really worried about that because that indicates something that’s a first and a new phenomenon. In quite cool water with quite cool weather patterns we got a very large hurricane forming in the south Atlantic for the first time. So that’s a spillover, I think, of the northern hemisphere weather that’s now pushing over into the southern hemisphere. That’s a spill out really. I think that’s how it’s being seen.


hurricane catarina

A scenario that’s happening right now is the release of CO2, particularly the release of CO2 in the ocean, which is speeding up with the arctic meltdown. There’s always a knock on scenario. The lack of reflected light from the polar icecap is now speeding up the warming of the northern oceans, and you’re getting a release of CO2 in the oceans at a much faster rate than was expected. And that is becoming carbonic acid, and the pH of the ocean is dropping dramatically. So, you’re acidifying the oceans, and they’re now talking about a possible doubling of the acidity in the oceans in the next year. That’s dramatic change. That’s whole life systems getting knocked out. There are lots of sea creatures – sea life – that just won’t take that. And that’s more release of CO2 when that death rate comes on.

The inquiry for solution-based systems now is, I think, going to exponentially increase. When you’re sitting in the position that we are as designers and consultants, it’s actually a bit of a worry that you’re going to just get overloaded with inquiry and if it’s possible to get the resources to get the job done – which is really training people up as quick as possible.

eid: You have classes coming up, of course. Any aid work coming up for you?

GEOFF LAWTON: Well, I have aid work coming up in Vietnam and in Thailand next year, and I’m on consultancy, at a distance, with a lot of different aid work scenarios. Right now, there’s a group of us seriously looking at the possibility of formulating a permaculture aid organisation which can establish NGOs in many places. All of that has to be speeded up, I think.

>>>END.<<<

[Douglas Barnes is a relentless doom watcher based in Tokyo, Japan. He runs and contributes to a few great websites, including A Logical Voice, Permaculture Reflections and the classic Tokyo Tightwad.]

[for an article about tsunami tree belt buffers, check this out - ed.]

INTERVIEW: You Say Party! We Say Die!

A lot of bands are using exclamation points in their names these days! It’s getting out of hand! Don’t get me wrong, though! I really do love them! Against Me!, Godspeed You Black Emperor!, and even !!!! They’re great! I’ll admit that when I heard about this new band, You Say Party! We Say Die!, I was a little bit skeptical! I mean how many bands with exclamation points in their names can be awesome?! I was convinced there was a limit! You Say Party! We Say Die! prove that bands with enthusiastic punctuation can deliver time and again! Put on your dancing shoes, shine up your spokes, and study your 90′s hockey superstars!!!

everyoneisdoomed: You’re at about the halfway point on your first tour anywhere, ever… How has it been? Any disasters? What happened in Ottawa?

KRISTA: We had a van disaster. Yeah, the brakes. We had to replace them all. It took out our savings account. We could’ve had a brake failure on the highway.

BECKY: We paid through the nose for it.

eid: What happened? How did you know?

KRISTA: They were just feeling funny. They weren’t screeching or grinding or anything. We took it in and they said “shit, this is illegal. We can’t let you leave the lot.”

JASON: Personally, the parliament buildings were a complete disappointment, and I’d like to bring Paul Martin in on this subject and tell him to come down and speak with me cause I’d like to have a few words with him.

DEREK: Yeah, and check out our show next time. It was fun making noise by parliament hill. We were only like three blocks away.

eid: Where did you play in Ottawa?

JASON: The Avant Garde Bar. It was like a weird Russian futurist cafe…

DEREK: …with Russian propaganda posters everywhere…

BECKY: …and some of the best art I’ve ever seen in my life, all over the place.

JASON: Another thing that made Ottawa so great was sleeping in the parking lot for an experimental farm, part of Agri-Canada. [laughs]

eid: So nothing too crazy has happened, Ottawa was fine… How was gearing up for this tour? Did any of you have to quit your jobs, or quit girlfriends or boyfriends?

JASON: Becky and Stephen quit their jobs.

eid: What jobs did you have?

BECKY: I was working in a home with five disabled women. I was a supportive care worker there.

eid: And you deserted them?

YOU SAY PARTY! WE SAY DIE!: Oooohhhhhh! [laughs]

KRISTA: Dude.

BECKY: No, we had to move. I was living in Abbotsford at the time, and we moved to Vancouver. That was my real reason for leaving.

JASON: I actually got promoted, which is pretty fucking awesome. I told them the first day I started working, “I’m going on tour in two weeks.” And then the next day they said “oh, by the way, we’re promoting you to office jobs.” And I was like, “hey, right on.”

STEPHEN: I quit my job. I worked in a coffee shop.

eid: What did they say?

STEPHEN: They were glad to get rid of me. [laughs]

eid: Are there any towns that you would NOT go back to, or try to avoid?

KRISTA: No. I mean, just cause you have a bad show in a town, it doesn’t mean that the town is fucked, right?

DEREK: I wouldn’t ever want to drive between Longlac and Hurst ever again, just past Thunder Bay [in Northern Ontario]. I got that shift, and it was pretty boring. I was excited to see speed limit signs and trucks drive by just to have something to look at.

JASON: Hey! Here’s Stu Hood… He’s the jackass of the band.

STU HOOD: Yeah. I clap after every song. [laughs]

JASON: Tell your joke!

STU HOOD: So, these two drums and a cymbal fall off a cliff. Buh-dum CHHH! [laughs]

eid: [fake laughter]… How would you say the band’s changed since the tour started?

STEPHEN: We’re all best friends now. [laughs] We’re a way better band.

DEREK: Yeah, we sure did suck before. We got tuners. We’re actually in tune now. [laughs]

eid: Let me bring something up. You guys got reviewed in Pitchfork. If you’re a nerd and into nerdy music, that’s a pretty big deal. Does it surprise you, to get that kind of attention?

KRISTA: Well, they’re tough critics, so we were pretty stoked that they liked the album.

DEREK: I honestly didn’t even know what Pitchfork was before the review.

BECKY: Yeah. Everyone was like, “it’s a big deal,” and I was like, ‘oh, ok…” [laughs]

JASON: I think we took it as an honour, only because we never anticipated playing outside of our own town when we started. Anything that’s ever happened to us, we’ve think, “wow, that’s further than we’ve ever thought.” What’s your opinion Blue?

["BLUE" is my friend Shane, wearing a blue shirt, who tagged along for the interview. He was half-drunk and hadn't said anything up to that point.]

“BLUE”: Well, I wish I would’ve read the review in full. I mean, I skimmed it. I liked it. I’m very proud. [laughs] Deeply. It tickles my fancy.

eid: Do you feel any pressure from that kind of press?

DEREK: Nooooo. I think we’re all trying to keep our heads screwed on and stay humble about it.

eid: ‘Cause now you’re internet superstars…

JASON: Stu Hood is an internet superstar.

STEPHEN: Yeah, “How many hits on google? How many hits on Google?” We count every day. [laughs]

DEREK: We’re honored. Let’s put it that way.

eid: In that review you were compared to Le Tigre

JASON: I think we need to all let out a collective sigh. 1, 2, 3, [collective sigh].

eid: Is that good or is that bad?

KRISTA: The funny thing is that we always get compared to bands that we don’t even listen to or haven’t even heard of before.

DEREK: It seems like reviewers want to just namedrop the band that they like that week and if they have a female singer, then they’ll say we sound like them.

eid: I read another review where you were called an “artsy bicycle gang”…

JASON: Yessss. THE SMOKIN’ SPOKES!!! [laughs]

BRUCE: I don’t have a bicycle. I can’t ride a bicycle.

eid: Whoa, Whoa, you can’t ride a bicycle?

BRUCE: Yeah. They made us hold bikes for a photo and I was totally against it because I can’t ride a bike and it seemed like total bullshit to me. [laughs] And I hate that photo and I wish it would just disappear.

eid: So you’re not a bicycle gang?

JASON: The Smoking Spokes originally started in Abbotsford, BC, and we would ride our bikes around old downtown Abbotsford, buy 40oz’ers of beer, and drink under the old courthouse. I vividly remember a night where one of the original keyboardists, Karissa, who was also my girlfriend, got pretty drunk. [laughs] To make a long story short, she ended up kicking me in the stomach and kicking Stephen in the stomach as well…

STEPHEN: …It might’ve been a punch…

JASON: …might’ve been a punch, and throwing a boombox at us. But I love her to death, and I’m so glad that happened, and The Smoking Spokes will never ever die, even though everyone has moved to Vancouver and I’m the only one still stuck in Abbotsford.

STEPHEN: Hey, we ride in Vancouver. Where are you?

eid: Did you have gang signs?

JASON: No, we didn’t have gang signs, but we did make patches, and I think we even had little posters that we posted around Abbotsford saying “The Smoking Spokes will slash your tires, you better watch your backs, since 1983.” [laughs]

eid: I try and do something fun with every interview, so in line with your band name, I’ll say something and you say something else. So let’s do it. I say “Party”, You Say…

BRUCE Pavel Buré. Pavel Buré.

eid: I Say “Arty”, You Say…

BRUCE Dave Babych.

eid: I Say “Tomato”, You Say…

BECKY Douche!

eid: I Say “Dance-Punk”, You Say…

DEREK: Rick The Temp sucks!

eid: I Say “Fuck”, You Say…

JASON: Brian Mulroney!

KRISTA: Me!

BECKY You!

eid: I Say “Tour”, You Say…

JASON: The Parliament buildings are horrible!

eid: I Say “Sleep”, You Say…

JASON: Gimme more beer!

eid: I Say “Ottawa”, You Say…

BRUCE: More beer.

KRISTA: More beer.

eid: OTTAWA!

JASON: The dude at the Avant Garde Bar that gave us cake cause it was Krista’s birthday and he was totally fucking awesome, and gave us authentic russian hockey t-shirts which I still haven’t worn yet, but I do plan on it once I get it resized!!!

eid: I Say “Help”, You Say…

BRUCE: Gino Odjick.

eid: The last one: I Say “Home”, You Say…

STEPHEN: It’s about time!

JASON: Thank god!

BRUCE: Sergio Momesso.

BECKY On the range!

[at this point the official interview ends, and JASON says he's happy that I didn't ask where the band name came from. I say "oh shit! yeah, why don't you tell me where the band name came from." JASON takes the opportunity to tell a long, vulgar and clearly made-up story involving a chicken, a crowd of onlookers, and "splooge". At the end of his story, he tells me...]

JASON: The true answer to this question is “do your research, we’ve already answered this question.”

eid: Oooooooohhhhhh. That’s sharp. [laughs]

>>>END.<<<

INTERVIEW: Natalie Dee

[photos and cartoons by natalie dee.]

I have a confession to make, dear readers: I’m addicted to a cartoon. Natalie Dee‘s daily dose of absurdity is always a sight to behold, and I can’t get enough. Using stick figures and animal drawings torn out of your grade 7 notebook, Dee creates a cartoon world where Bigfoot lives underwater, every dog is a wander-eyed pug, and the bearded husband can never get anything right. Call it the crack-cocaine of internet cartoons: it’s fast, loud, and fucking hilarious. Ms. Dee recently took a few moments out of her busy drawing schedule to visit me in the rehab centre, and answer a few of my questions.

everyoneisdoomed: When did you start drawing / cartooning?

NATALIE DEE: I started drawing when i was a little kid. I took a lot of art classes, then went to college for art stuff, then I dropped out. I started doing stuff similar to the stuff I do now probably about 9 or 10 years ago; my site went up like three years ago or something.

eid: When you’re sitting down to make a new drawing, what are you thinking? What inspires you?

ND: Sometimes I sit down and I already have an idea fully formed. Other times I just sit down and draw. If I try to think about it too much, the drawings aren’t as good. So usually when I’m drawing I’m not really thinking about anything. I just draw a picture, and when I’m done I think about what is going on in it, and that is the joke. I find that the most inspiring thing is that I have to do a drawing every day. I mean, I don’t HAVE to, but I said I would. My inspiration is sitting down and cranking them out because I have to.

eid: Do you have any drawing / cartooning heroes or heroines?

ND: I really like Evan Dorkin, and as far as comic stuff goes, his stuff is the only stuff I ever really checked out on a regular basis. Peter Bagge is pretty cool, too. As far as web comics, I like Achewood and White Ninja a lot. I’m not sure I would call anyone a comic “hero” or “heroine”, cause honestly I never really got super into comics.

eid: Your drawings seem to feature a lot of animals: pug dogs, rabbits, snakes, and even Bigfoot. How is making jokes with animal characters different from making drawings with people as the subjects?

ND: I just like drawing animals and get sick of drawing people. Drawing animals is always awesome.

eid: When I was young, I had a hamster that died, and I didn’t get another pet until, like, twenty years later. Do you have any good hamster stories? Did you ever get that dog you always wanted?

ND: I got a little teeney gray hamster, right after my other hamsters died. I had it for like a week before it escaped. It was gone for a couple days, then, one morning I looked and he had broken back into the cage. Then he snuck back out and was never seen again. I did get a dog, back in january. I got a pug and named him charles. He’s obnoxious.

eid: Your husband is featured in a lot of drawings, and you seem to like taking mundane things and making them absurd or giving them a sick twist. How much of your drawings is real life, and how much is fiction?

ND: I would say 28% real life, 72% made up.

eid: Have you always lived in Ohio? How does being in Ohio affect your drawings?

ND: I like living in ohio. I think it is really nice here. I could leave if i wanted to, I just don’t. It affects my drawing as much as something that doesn’t bother me at all and that I rarely think about could affect my drawings.

eid: It says in you “bio” that you like the melvins… What is your favourite melvins song and why?

ND: I like boris. It is my favorite melvins song because it is bad. I like listening to it and thinking about cops driving cop cars in giant figure-eights in some convenience store parking lot. So great.

>>>END.<<<