REVIEW: Cartel – Cycles CD…

cartel-cycles

I tried to warn them.

When I got an e-mail from Wax Records asking me to think about doing some giveaways for the new Cartel album, I replied very frankly: “i only review vinyl, and i only review stuff i like.”* They sent me four Cartel cds anyway.

I can’t review this record. Literally, I can’t review it, because I just can’t listen to it. I get about :30 into it, and I break out in hives and get a nosebleed. I think I’m physically allergic to it.

The reason I only want to review things I like is because, really, no one needs bad press, and I don’t have time to write about things I don’t like. I’m sure some people will think the Cartel album “rocks” or “rolls” or “doesn’t fuck yr ears with razor blades.” Unfortunately, I am not one of those people.

So I’m gonna leave this one to the experts. I am not an expert in pop-punk (?), and I don’t have the knowledge to place this record in its historical context. And hell, even if I could, I’m not sure that I would want to spend an hour of my time trying to do so. I’m busy like that.

So, to be honest and fair to Wax, I’m gonna do some giveaways. I’m doing a double giveaway! I’ve for four (4) copies of the new Cartel album / hi-tech plastic drink coaster  “Cycles.” Whoever can write to me first and tell me why they love or hate Cartel, will get a copy / coaster. Trust me, this is an excellent album / coaster. If you love pop-punk, yr gonna shit yr pants over the slick awesomeness of this album (especially the first :30 of it). If you hate pop-punk, yr gonna love how awesomely this plastic disc works to keep yr coffee table drink-ring free.

write to me at everyoneisdoomed {AT} gmail {DOT} com

p.s. no links in this post. if you really care, you can find the links yrself.

*This was a bit of a dodge. I don’t actually review anything. But I’m starting today.

OBITUARY: wujek len…

I called you “uncle,” though you were actually my great uncle. Really, I thought of you as a grandfather, the only one I ever had.

The last words you said to me were “tikki tikki.” No, not Hawaiian, but a reference to a more than twenty-year-old joke that I never lived down. I was glad you remembered me, even though you weren’t remembering much. You got worse over the week, and the next and last time I visited you, I held yr swollen hands and kissed yr slack face. You looked at me one last time with a seeming clarity and then closed yr eyes. I kissed yr forehead and whispered to you in Polish that you could finally rest. You had worked so hard all of your life.

When the war came you jumped out of airplanes and shot nazis, because what else could you do? You were captured and dug yr fucking way out of a nazi prison camp with six of yr buddies and some spoons. You came to Canada, changed yr last name to be treated fairly (ie. not Russian), and built a strong business from scratch. You sponsored my family to come to Canada, and we did, and built our own lives here. You gave me work when I had none. You always supported us.

It was eleven thirty-five this morning when you took yr last breath.  It’s ten thirty-three in the evening now, and I still find it hard to believe. You were the oldest person in my life, and yet I still never thought you would die. That you would be there with me, on my death bed, making me laugh with yr subtle jokes and sly smile.

Yr really gone now. I hope there’s peace wherever you are. Goodnight, wujek.

WORDS: the first job i ever got fired from.

[caterpillar in Confederation Park, Ottawa, 2003.]

[a short while ago, i had the extreme privilege of participating in a two-day intensive storytelling workshop with the one and only d'bi young. we were asked to take a memory from childhood, and write about it, and then we workshopped it over the next two days. it was an eye-opening experience, to say the least.

what follows is the working draft that i came out with at the end of the two days. it is meant to be oral, and will probably end up as a song of a sort. but until then, here it is in written form, because i want to share it with you now.] 

what caterpillars do is they climb on trees / that’s their shit, their cat-er-pil-lar-ness / and what kids do in my neighbourhood / is fill their pockets with wriggling live ones / for profit / ten cents a piece / cause turner every spring wants to clear out that tree / turner’s house town house / my own a few down / i go from lone ranger wallpaper / in my first room to myself, ravine tucked / to twenty feet up / cause i’m small and i can climb / the first thing i notice is their grip / cause climbing trees for caterpillars, man that’s their shit / their caterpillarness / to remove them, you gotta rip that / ten cents a piece / what kids will do for money / what kids do for approval / what will i do for candy? / what do we do because we’re told to do it?

the night before with closed door / the space between my first room to myself / and the lone ranger’s frontier is wallpaper thin / tucked in, it comes alive and i climb inside / to the space where spurs jangle spin metal clink / dusty ground / cowboy hat / the big brother i never had / he holds my hand past a rattler / “that rattler’s got its own plans, boy / that don’t include you unless you want them to / best to let each become what they seek.” / he says / dusty ground / old leather drawl / tumbleweed cowboy hat, wallpaper, fantasy, sleep.

that was last night / when today was tomorrow / when i didn’t realize how hard it would be / i mean, yeah, just put ‘em in yr pocket / and climb back down / i’m young but not stupid / the math is easy, ten cents a piece / you earn it, you earn it / unless i don’t do it… i don’t / you’re fired, karol and it won’t be the last time, i know / back at home with lone ranger wallpaper / and i’ve got no candy / but a memory of a caterpillar crawling / across my hand, see? / then back off, back onto its tree.

WORDS AND PHOTOGRAPHY: travelogue to nowhere – Hushed Monkees

[benny from Barf, Pigeons! lays it down.]

This past weekend, my band Hush Money released our new album, Hush Money Goes Infinity. To celebrate this fact, we played three shows across southern Ontario, in Toronto (our current home), Peterborough (our former home) and Ottawa (my surrogate home).

I don’t go on roadtrips often enough. But one of my new year’s resolutionz is to play more shows out of town, whether it be with Hush Money, Magical Powers, or garbageface. And this past weekend was a chilling tale of things to come. Ready? Okay then.

[matt from Barf, Pigeons! gets swirrrrrllyyyy.]

There aren’t many Toronto bands I love more than Barf, Pigeons!. Though we played with some amazingly stellar bands that night (including the indubitable Please Stand By We’re Having Technical Difficulties and the irreversibly fun B’MO Crazy), I was unable to photograph them because of my duties at the door and getting amped for our own performance. Barf, Pigeons! are the love-children of Primus, Politics, Frank Zappa and Chocolate Cake. They got the grooves to start a righteous mosh. Be there.

The show, the crowd, the love that night was amazing. I loved every minute of it. If every night could be that much fun…..

[beside ray's place.]

The next morning (early afternoon) my musical partner Ray and I scrape ourselves together and load up the Golden Snitch (the name of the tour car) for a short ride to Peterborough, AKA Boomtown. Just outside Ray’s place, I notice some killer (literally, killer!) icicles, and think: Isn’t “icicle” kind of a weak name for something that could impale you like a shish kebab? Seriously. I think after they reach a certain size, they should be called “icikills.”

[another roadside attraction.]

Isn’t it funny how the mention of urine makes you have to urinate about ten times more than you did just the moment before? Well, on our way to Boomtown, I mention something about urine, and Ray has to pull over. We stop at “GoGo Pizza & Subs”, potentially the bleakest highway pizza joint I have ever seen from a distance. Truthfully, I was too scared to even approach it, for fear of getting sucked into a dead end job.

[daiquiri contemplates their existence at the spill.]

We arrive in Peterborough and head straight to The Spill, where we meet up with the guys in Daiquiri and Please Stand By. Daiquiri are a band that has been a huge influence on me, both in terms of musical exploration and in pushing the boundaries of performance. They are also grizzled music veterans who have been around the block before most of us were allowed to go on the block at all, and they have a no-bullshit attitude that I truly appreciate.

Just before going on stage, Mike and I are having a good laugh at the circumstances of the night, and the relatively poor turnout. I say to Mike, “you guys are grizzled veterans, eh?” and he replies to me through am ironically desperate laugh, “Karol, I don’t feel a thing.” Ha. I love these guys. And of course, they give us a show worthy of ten times as many audience members.

[the spill closed.]

Did i mention that we blew the speakers at The Spill? And that the owner Dave wasn’t even pissed about it, and even invited us back? Wow. He is a good man. A true rarity in the rock music world. Even after we brought out a thin crowd and blew his speakers, he’s still willing to have us back. Pretty great.

[turnip and tessa.]

Through a lovely twist of circumstance, we end up staying at our dear friend Tessa’s place, just around the corner from the venue. She gives us comfortable sleeping arrangements, introduces us to her lovely cat, and gives us delicious coffee in the morning.

Just before we go to sleep, though, there’s a strange knock at the door, and a woman who looks like she just strolled off a catwalk is asking if this is the house where she can find “Tony,” and some other names I can’t remember. She seems shocked that none of them live here. Weird.

[mandatory suicide.]

Before getting back in the car to get some food, I put the camera on the roof of the car and we do the obligatory “hey, we’re travelling as a band” group shot.

[flavor flav gone white firefighter.]

Before leaving Peterborough, we get a few slices of Night Kitchen pizza, cause that’s what you gotta do when yr in that town. They always have vegan slices on hand. Do it. Eat there.

[safety dance.]

Once again, the urination rule proves itself to be true, and as we drive down the dangerous highway seven, I mention to Ray that I have to pee. Within minutes, he is about to burst, and we have to pull over before either of us have an “accident.”

[jacquie blue, howling.]

I love Ottawa, because it is full of good people. One of them is Jacquie Blue, who sings in the glorious Ladymilk. In addition to Jacquie, there is Fran and Pete, two of my favourite people in the world, who still to this day treat me unnaturally well… For example, when Ray and I arrive in Ottawa at Pete and Fran’s place, Fran has already put together a delicious meal, and Pete is off somewhere doing the legwork to make sure we have a good sound system for the night. AND, they let us stay at their place, and once again feed us. Wow.

[mike taking a breather.]

After Ladymilk rocks the par-tay, Hush Money gives it the old college try, and then Daiquiri takes the stage. They tell the audience that they are breaking their 2-year old BAN on playing any shows in Ottawa, because they have gotten so little love from this town. So it truly is a special evening: The Milk plays their first show in 8 months, The Money releases their new album, and The Daq lifts the ban. This calls for a drink.

[an awkward pause.]

Seeing Daiquiri is always worth the price of admission. In addition to their energy and the almost telepathic way they communicate, you are sure to hear some brilliantly dry, scathing comedy from Mike at some point in the night. The jokes don’t do well transcribed, but if you find yrself on the butt end of one of these jokes, you will feel it. Hard. In a good way. In yr bowels. Ouch.

[shreddingz.]

They play with a guitar, some sampler type gear, and two vocals. And somehow, it just sounds like mayhem. HARD KARAOKE.

[yayas.]

For the first time ever (and I’ve seen them play at least a dozen times now), I see Leigh do a guitar solo. And it is hilarious in it’s non-solo-ness. They literally cut the backing music so that Leigh can take the crowd on a glorious guitar journey. He cops all the right poses and hits all the wrong notes. On Purpose.

[keeping it kneel.]

I don’t know much, but I know that I wish I could play guitar like this. On my knees, with my hair hanging in front of my face, and probably thinking “man, I am killing this shit right now. I’m on the edge of puking rock from every orifice.” Or something like that. Roughly.

[gobling.]

I think Mike went through three costume changes in total for this show. He is a snappy dresser, and all of his outfits seemed very well coordinated. Or maybe it was the booze.

[behind the mask.]

Oh shit, did I forget to mention that Leigh got on the drum kit for a song? Yup. If you’ve heard any of the records, you will know that in addition to programming some awesome shit and playing mad guitar, Leigh also somehow knows how to own a drum kit. And for a few minutes, he did it live. Worth the price of admission, right there.

[the last time i will ever caption.]

And almost as quickly as The Daq takes the stage, they are replaced by their alter-ego, Two Fans, a band that plays only covers of power ballads. They go through classics such as “Night Fever” and “Under Pressure,” and by the time the sound curfew rolls around, they’ve got the whole crowd too amped to leave without an encore. They deliver. Ladies swoon. Men swoon in secret. The perfect end to a perfect night.

And that’s that. A blast of a weekend and a trio of parties that I’m going to remember for a long time coming. And come this summer, my trip will hopefully make this one seem like a brief warm-up.


WORDS (AND PHOTOGRAPHY): under the bridge downtown…

Saturday this past weekend: I discover the spot all over again. It’s not that hard to find. In fact, it used to be much more difficult. You used to have to stroll on past a big office building, and squeeze yrself through a sketchy fence hole, then rappel down a stone wall just so you could walk through a bunch of thick brush. But now, there’s construction. Two huge sets of tracks carve a path right down, and the only thing to negotiate now is a bunch of loose soil that gets into yr shoes.

We go there once in a while, for no reason in particular. It always feels like a celebration but there’s rarely an “occasion” to speak of. Wait, no. The occasion is life, I suppose, if that doesn’t sound too Hallmark. G brings a bunch of scrap wood, someone always brings musical instruments, and we construct makeshift seating arrangements out of whatever we can find. Tonight, we make a bench out of a long 4×10″ balanced on a car tire. Put an equal weight of people on one side as much as the other, and you’ve got yrself a bench with some bounce, and good support to boot. Some others sit on the bare ground, or use some local plant life for cushioning. A song starts up and the instruments trickle in. Voices bounce off the concrete supporting beams with a sweet reverb that would rival any expensive club. And we’re all the main attraction.

Also, tonight, someone brings a little over a dozen vegan biscuits, infused with dill. So fucking tasty, I have to eat three, which isn’t very generous of me, I know, but it’s been a long night with a lot of biking. Though twenty minutes ago there were only four of us, now were approaching ten, maybe more, and the circle is spreading. Greetings are made without the usual awkwardness reserved for social functions. Hugs are the order of the day. We’re all friends here.

The fire gets bigger to accommodate the swelling group. Someone makes a speech about the recent election and a fresh flag is thrown on the flames. The story goes that the flag was stolen from a police station just outside of Ottawa, one where I myself was harassed by cops for hitchhiking. I laugh at the symbolism, and the gutter poignancy. We are good people, trying to do right by our words and our actions. The polyester bubbles and melts, and we laugh at ourselves for not predicting it: In a way, the flag is “burn-proof.”

I leave close to 3am, with a smile on my face. I know you might say that it’s easy to romanticize, but there are so few romantic moments like this left in the city, it seems. If I can’t romanticize this, what’s left? As I walk away, back up the bulldozer ramp and back into the world of taxes, political simulacra and joyless jobs, I wonder if that’s really the real world. Maybe the real world is under that bridge, singing and hugging and sharing whatever we have, while the imagined world is the crust over it all, the world of paperwork and e-mail and racing through the game of life.

Or maybe I’m just romanticizing. But when I get home on my bike, my hoodie still smells like campfire. And that’s real.