SHORT FILM: julia – self/portrait

to see more of Julia’s work, including more amazing self-portraits and writing about fashion culture, check out her blog here.

thank you to Linux Caffe for the awesome background noise.

INTERVIEW: Themselves

themselves-mocambo-6

[photos and interview by karol o.]

When you say “live rap” you might think of bands like The Roots, multi-piece funk / soul bands with emcees that play smooth and ride easy flows. But Themselves (Adam “Doseone” Drucker and Jeffrey “Jel” Logan) are perhaps one of the only live rap bands around these days. They use the original building blocks of rap – samplers and drum machines – but turn them into live instruments that they twist and turn into an unequivocal racket of groove, all right before your eyes and ears. They (ha) are currently on tour in support of their dizzying new album CrownsDown.

EID: What is “CrownsDown”? What does the title of the album mean?

Doseone: Crownsdown is our truism, a term to our language of rap, that encapsulates the arrow and edge of us at this point in time, like “Ready to Die.” Jeff and I gently set our worth down on the table of days before us. Not out of confidence but reverence and earnest.

EID: On the second track on the album, you give people your home address and tell to come and “get their careers over with already.” Has anyone yet come to either of your houses looking for a battle?

Doseone: Not yet, but I can’t wait. I hope I am in underwear with my toothbrush in one hand and a bill in the other while I kill a kid on my stoop.

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EID: Why are there no lyrics included in the album?

Doseone: We put them in the digital booklet. It was a tough call, but the ten photos in the book are specifically set and shot to be theoretical 12″covers. So each song gets its own diorama of sorts. I enjoy the maturity and room for interperetation it leaves to the listening person.

EID: How were these new songs written? Did beats come first? Did words come first?

Doseone: A bit of both. Overall, Jeff and I sat with our concept of classic rap albums, and fostered our own astranged version of such a criteria. We then tried to discern what “type” of rap song motiffs still could hold true and reign potent in the 2000s. So we had a bootlegging song, a don’t-mess-with-the-dj song, a defend-rap-from-nogooders song and so on. And for some of these we had a very clear idea of what the production should be. For “Oversleeping,” we made that beat together, and I was like, oh this is the clean-out-the-closet skeleton crush jam, and I wrote the song in a single eve. “Back II Burn” was written as a long poem by Pedestrian and I, and Jeff and I then made a triumphant album begining beat to match and modify the mood of the poem.

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EID: What is touring like for you guys? What is the weirdest thing you’ve seen on this tour?

Doseone: It’s pretty great for us right now. We are the fastest of friends, and really just beginning to open up as a two-man rap band. So it’s somehow, all new again a decade later and our people are very happy to have us right now. Things feel flush: we are giving our appreciators a meal that is shaped just like their hunger.

You know, we were in Denny’s, and they were selling a shirt that says “get your grave on.” I shit my pants! It’s like a dose shirt. It may not be the weirdest tale, but when corporations make something adorable and advertised in the language of death, one must shake their head, take note, and see things as new and oddly futuristic.

EID: How is playing support different from headlining?

Doseone: We are co headlining, which I like. Sometimes opening is great, cause crowds can get drunk and long day drowsy on you. And opening tends to be the sweet spot. Truthfully I live for my hour on stage, and will take it anyway I can. Jeff and I don’t need cake and pointy hats, to bring it birthday to the ageing.

EID: What’s the plan when the tour is over?

Doseone: We are finishing a remix record for CrownsDown, and Jeff will be sealing shut his new solo record. I am going to be finishing “unearthing” with Alan Moore and Andy Broder, and then its onto Nevermen with [TV On The Radio's] Tunde [Adebimpe] and mighty Mike Patton. The rest is blood, sweat, bills, and B-movie dreams.

themselves-mocambo-10

>>>END.<<<

[for more photos from the Toronto show, check out the decipher photo gallery.]

INTERVIEW: Tim Fite and A Bag of Fireworks…

timfitehallo1

[photos and interview by karol o.]

Ask Tim Fite the same question on two different days, and you’ll probably get two different answers. That doesn’t mean he’s not honest; Though Fite cultivates a fairly elusive and enigmatic persona in the music press, he is also disarmingly frank and unpretentious. After years of creating meticulous and finely crafted sort-of-hip-hop (that still somehow sound homemade), Fite is taking stock of his career to date, and planning his next bold moves.

I caught up with Tim Fite after his third and final Halloween Bash, after the dust had settled on some legal matters and as Fite prepared to launch his brand new website. The site showcases Fite’s full spectrum of creativity, including lots of (FREE!) music, and a wealth of visual art.

EID: I don’t know if you remember me. On Halloween night I was one of the Canadians that you gave a bag of fireworks to.

TF: Yeah, I totally remember. Those fireworks were precious. I heard you got in trouble.

EID: On our way home we ended up lighting a bunch of them off at a truckstop. A guy who worked at the truckstop McDonald’s told us to put them in the garbage and leave. About twenty miles down the road, five state troopers stormed onto the bus I was on and… Well, to make a long story short, I was charged with 5th degree Arson (with intent to damage property) for torching a garbage can. I guess some of the spent fireworks were still hot.

TF: Oh my god. That’s fucked up. I’m so sorry, man.

EID: I just want you to know that I didn’t snitch, so you’re safe.

TF: {laughs} I’m glad. We don’t like snitches. But either way, that sucks. I didn’t think you could get in that much trouble. If I did I wouldn’t have given them to you.

EID: I remember you handing them to me and saying “I want you to get arrested in New York.” And we had a good laugh about that. {laughs}

TF: Will you have a record in Canada?

EID: I’m currently arranging to pay restitution so the charges get dropped. I won’t have a record. My friends who were involved in the fireworks display have offered to split the fine with me.

TF: Thank goodness, man. I’d offer to chip in too. I have friends who have gotten into that sort of thing. You know, you do something foolish, and you end up being treated like a terrorist forever.

EID: I’m not too worried about it. And it was a good story. Dealing with the State Troopers was a trip.

TF: I think there are no human beings more awkward than policeman. They serve the function of every fucked up, socially awkward activity known to man. You know, they’re simultaneously brutal and non-communicative. {laughs}

EID: One of them told me that if I went for the door, he was going to shoot me.

TF: Aw, Christ.

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EID: Have you ever been arrested?

TF: Never officially.

EID: What does that mean?

TF: I’ve been… Like when the police harass you and put you in the car and make you feel terrible but you really didn’t do anything wrong so they haven’t really arrested you.

EID: What was your last experience with a police officer?

TF: We hit an old lady’s car at Bonaroo. We backed into it and she took my license and registration and insurance card and ran into her house and held it hostage until the police came. The police sat us down and were mean and fucked up to us because we were in Tennessee. We didn’t even bump the lady’s car. There was nothing wrong with it. But they went along with her and claimed it was going to cost a thousand dollars to fix.

EID: Have you ever been in trouble on Halloween?

TF: Yeah. Not with the police, but pretty much every single physical fight I’ve ever been in has happened on or around Halloween. You know, it’s a mischief night. People are out acting bad. Kids are all around and you have to defend your honor in order to win the game.

EID: This year marked the third and maybe final installment of your Halloween trilogy of albums. Why Halloween? Why not Christmas or Mother’s Day?

TF: Because I like dressing up scary and being scary. It gives you a lot more room to pretend. I guess you could pretend in the same way on Mother’s Day but that might be creepy. Like, really creepy.

EID: It seems like the Halloween thing is one part of a larger enigma of Tim Fite. It’s hard to find a lot of information about you.

TF: It’s all true. And none of it’s true. Just like any good story.

EID: How do you decide when to tell the truth and when to make stuff up?

TF: I don’t know if I really even know the difference. {laughs} Maybe I tell the truth when I don’t want anyone to have a good time. {laughs}

EID: What’s the most personal question you’ve ever been asked?

TF: “Do you love me?” And the answer is invariably “yes.”

EID: Is there anything you won’t write about?

TF: I don’t know. I don’t think there’s anything I wouldn’t write about. Maybe if I was sad because my dick fell off or something. I might not write about that.

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EID: You don’t just write, and make music. Visual art is a huge part of the show. The Halloween bash in Brooklyn was decked out in art of your own creation. You could just as easily just get up there and play. It would still be entertaining.

TF: But it wouldn’t be as much fun for me. The art stuff I do to entertain myself. The music helps to entertain the people.

EID: Will you ever make Halloween music again?

TF: I think I’m done. I think I’m good to go. I need a Halloween off where I can go get into some fist fights.

EID: What’s happening on 11/11?

TF: I’m relaunching my website, I’ve redesigned it. There will be a bunch of stuff available that hasn’t been available for free. I’m gonna be a lot more vigilant about updating it. There’ll be 40-or-so drawings that you can suck into your computer. The Water Island record for free, which no one has been able to get their hands on real easily, and a new animated thing I’m working on called Dog and Pony Show.

EID: You give away a lot of music, but you’ve been doing this for a while. It doesn’t seem part of this trend of bands just giving away their music. Why did you start doing that?

TF: There’s a difference between what I do and devaluing music by the current trend of giving it away. I think that current trend tends to devalue music because it’s not truly free. People turn around and figure out a way to sell it later. I give shit away because it’s free and kind and that gives the value back to it for me. I get value out of sharing it in that way. The shit that I sell, I don’t make any money off of anyway. {laughs}

>>>END<<<

INTERVIEW: Liars

Liars raise demons. If you’ve got some skeletons in your closet, they will pull them out, dust them off, and use their ribs like a xylophone. They’re a band that critics loved, then hated, and now love again, and they don’t seem to care much either way. Living in the long shadow of hype is normally enough to make the strongest band cynical, but the truth is, Liars are downright cuddly… After this interview was finished, singer Angus Andrew gave me a big hug, and said thank you for my time. Seriously.

When I caught up with Liars on their tour for Drum’s Not Dead, I gave them three themes we could talk about: Criticism, Places, or Animals. They chose Animals without skipping a beat.

everyoneisdoomed: In your lyrics there are horses, spiders, cats, dogs, dragons, donkeys, bears…

julian gross: wow.

eid: …and not in your lyrics, but in your videos and promo stuff there are farm animals and slugs. Why do you choose to use animal imagery so much?

angus andrew: I think we all really love animals. I think there’s something about the animal kingdom per se that is mystical in the sense that they’re communicating with each other and things are going on that we still don’t know anything about. It’s great to see two dogs interacting and what sort of things they could be talking about, we don’t know. I think for those images or those elements allow for a deeper look into the way things interact, so if you use a spider as a representation of a person it becomes something a little tangible.

eid: How do you see yourselves as animals?

julian: Do you mean what kind of animal?

eid: sure.

angus: Didn’t we figure this out already? When we were reading those books… The Dark Material or something like that? Anyway, the premise in pretty much a whole book is that every human has an animal, and that animal is a representation of that person’s soul…

julian: …and they change until you become an adult and once you become an adult, you fix on a certain animal.

angus: We would always discuss which animals could be ours and Julian’s would be a cat.

eid: Why?

julian: You know, I like to sleep, I like to cuddle, I like to purr, I like to lick things.

eid: So is that like the Liars’ Book Club?

angus: It is. I mean, we go on tour a lot together so that’s obviously an economical way to get through material. We read the whole The Lion, The Witch and the Wardrobe before it was cool again. That was right before [the album] …Drowned, so we got really into that. It was good inspiration for us.

eid: What experiences have you guys had with animals? Did you guys have pets growing up?

angus: I have a great story. Am I talking too much? [laughs] Me and my mum were kayaking in the middle of the ocean, and she was reading a book and I was paddling. All of a sudden, out of the clear blue stillness, came a ssscccccccrrreeeeee and it was a whale. It was pretty close… And I kind of look back on this point as a weird point, but my gut reaction was to just dive in after it. I know it’s weird, but it was awesome. I could to see the whale underwater and it was like the size of a bus, driving away.

julian: I love that story. I really do. We were just in the great barrier reef recently, me and Aaron [Hemphill], and that was absolutely beautiful. It was so amazing.

eid: Snorkeling?

julian: Snorkeling and scuba diving. We’re men now so we decided to take the next step and add the oxygen tank. We also went to the Daintree, the oldest rainforest in the world, plus one of the seven wonders. Dippin’ in it. Swimmin’ around.

eid: Aaron, any experiences that you’ve had with animals that you’d like to tell us about?

aaron hemphill: I used to catch rattlesnakes when I was a kid and try to sell them to hospitals for anti-venom to make money. You catch them with this special noose.

eid: Can you actually do that?

aaron: You can, but they don’t need that. And when they see, like, four ten-year-olds with skateboards and a PVC bucket with sand coming out of the bottom, they know there’s something wrong. So they would always flip out. They don’t do that, you know? Hospitals don’t buy shit from kids. It’s not like they have a room where they fang out the venom and mix it around.

julian: Would you take them there alive or dead?

aaron: Alive, yeah. You can’t get the venom out unless they’re alive.

eid: So apart from what animals you might see yourself as being, if you could be any animal, what kind of animals would you be?

angus: I like the elephant. A motherly figure, solid, dependable, can cry.

julian: I wanna go with the cat still, because I just like the whole way that they do their thing. But you know, there’s something to be said for birds: They fly, and that’s kinda awesome.

eid: Okay, so, last animal question: On a level playing field – where there was water deep enough so that a Shark could maneuver, but shallow enough so that a Bear could stand and move freely – who would win in a fight between a Bear and a Shark?

aaron: Shark. No question.

angus: Bear.

julian: I’m gonna go with shark.

eid: Why?

julian: I mean the shark’s mouth is just huge. One snap, bear’s leg gone. Then what? Then what’s the bear gonna do?

aaron: It’s a marine animal. A bear can swim or hunt in water, but it’s not the best at it. It’s like asking if the shark would win on land vs. the bear.

angus: I still think the bear. I mean, the bear’s tough. They catch fish out of the water already, so why not a big one?

>>>END.<<<

INTERVIEW: Geoff Lawton, Pt. 2


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[interview by Douglas Barnes, photos stolen from the internet.]

On October 1st this year, I grabbed Geoff Lawton on the last day of a Permaculture Design Certificate Course he was teaching with Permaculture founder Bill Mollison. Geoff had some alarming things to say regarding the state of the world’s environment.

everyoneisdoomed: The last time I saw you, 2004, you mentioned two events – the first one you mentioned was the tsunami that you did work on in ’98; and we of course had the big one in December. And the other event was New Orleans, which you mentioned to us and told us what could possibly happen and that it wasn’t a conspiracy theory or anything like that. It happened. What are your thoughts on those two events?

GEOFF LAWTON: Well, the tsunami was one that took everyone by surprise. And the size of the event obviously shocked everybody, you know, how vulnerable people are at a distance to a natural event like that.


satellite photo of indonesian tsunami of 2004

One of the great results from the recovery, sort of the design side of the tsunami, was that some of the government agencies listened to our research that we had from the New Guinea tsunami. We had researched the fact that tree belts buffered the impact and particularly filtered out the destructive debris in the waves and were a lot less fatal to people when there was a tree belt on the foreshores. That was very easy to reference in the December Indonesian tsunami because there was so much footage. And it was easy to see if you scanned through the footage that where there were dense tree belts on the foreshore, there was hardly any damage behind and a very significant drop if any loss of life at all behind large tree belts. Although those shots weren’t shown on the news very much because the media, as usual, concentrated on the sensationalism of the catastrophe and the biggest damage. But the Indian government surveyed the aerial footage and they could see very easily that where there were tree belts, there was less damage. And they initiated a planting of 8 million trees in the first wave of repair along foreshores. And they also looked at using trees that would grow on the foreshore and be functional and productive. So, they choose some productive species that would also handle those situations. And they put in a theme of honoring all the people who were lost in that there were trees that were donated to victims, and their families were given permission to plant trees at ceremonies, so [the trees] are kept alive. So that was good.


photo recovered from tsunami

One of our directors, Andrew Jones, actually got the job of heading up the post-tsunami rehabilitation assessment consultancy team in Indonesia, based in Jakarta. And we’ve got permaculture education systems going up in the repair of Aceh on the people-scale to start with and the initial reconstruction. And there’s still talk of total redesign in a more sustainable way – but there’s been a large problem with the bureaucracy throughout the Indonesian government on the spending of the money and how it will actually be processed. We tried our hardest to get those sorts of permaculture initiatives in. And permaculture is written as the main part of the rehabilitation assessment consultancy for the UNEP. So that work goes on.

There’s a gentleman called Steve Cran working for the Indonesian permaculture group IDEP, who are based in Bali. Steve Cran is teaching courses there in Aceh. And there are people working on the ground with reconstruction. So hopefully that goes on as research that will go further into helping any future tidal wave, tsunami-type disasters. It’s obvious that tree belts, appropriately dense tree belts on the foreshore mitigate the power of the tsunamis and definitely filter out destructive debris.


photo recovered from tsunami

Then we have New Orleans. It was only a year ago when we were there in August the year before Katrina and we were teaching a course there and we were evacuated when Hurricane Ivan nearly hit New Orleans. A million people were evacuated, and we were part of that. And we were half way through a Permaculture Design Course which we had to shift up country a few hundred miles. And now the scenario that’s been painted for a long time, the drowning of New Orleans – there was even a book, The Drowning of New Orleans that described exactly the scenario that’s happened. And the reality is there.


satellite photo of hurricane katrina

What has become really obvious is the knock-on scenario that when you have a disaster in a first world country, you have this enormous amount of ongoing residual damage because of the amount of possessions and property and equipment ownership of first world people. And the knock-on event that happened with the oil refineries and the oil rigs where 12% of America’s oil got knocked out of production and out of circulation. And that doesn’t sound like much, but because America consumes so much oil, that’s a very large amount of oil out of the world circulation. And it’s had worldwide repercussions, and thats just one little storm, really. It’s knocked out one city, really, or one area with one major city. So I think there’s a real serious look now at the global situation of global warming, weather patterns, what’s causing it, why the northern hemisphere is hotter than the southern hemisphere – which is obviously because there are more industrialised human settlements in the northern hemisphere and the separation of the weather systems around the Hadley cell at the equator. I think it’s crunch time and Bill Mollison’s been saying this for over 20 years; he’s actually been naming the time frame – “ithin 50 years,” he said in 1983, “you’re going to see major changes.” And here we are just 25 years later, we’re only half way into it and you’ve got it, you’ve got it happening fast.

eid: The other day you mentioned the first south Atlantic hurricane in history.

GEOFF LAWTON: Yeah. Well it hasn’t really been much spoken about in the general press because it didn’t cause a lot of damage. Catarina was the name of the hurricane in the southern Atlantic below the equator and there they’ve never been recorded. That’s the first ever and meteorologists are really worried about that because that indicates something that’s a first and a new phenomenon. In quite cool water with quite cool weather patterns we got a very large hurricane forming in the south Atlantic for the first time. So that’s a spillover, I think, of the northern hemisphere weather that’s now pushing over into the southern hemisphere. That’s a spill out really. I think that’s how it’s being seen.


hurricane catarina

A scenario that’s happening right now is the release of CO2, particularly the release of CO2 in the ocean, which is speeding up with the arctic meltdown. There’s always a knock on scenario. The lack of reflected light from the polar icecap is now speeding up the warming of the northern oceans, and you’re getting a release of CO2 in the oceans at a much faster rate than was expected. And that is becoming carbonic acid, and the pH of the ocean is dropping dramatically. So, you’re acidifying the oceans, and they’re now talking about a possible doubling of the acidity in the oceans in the next year. That’s dramatic change. That’s whole life systems getting knocked out. There are lots of sea creatures – sea life – that just won’t take that. And that’s more release of CO2 when that death rate comes on.

The inquiry for solution-based systems now is, I think, going to exponentially increase. When you’re sitting in the position that we are as designers and consultants, it’s actually a bit of a worry that you’re going to just get overloaded with inquiry and if it’s possible to get the resources to get the job done – which is really training people up as quick as possible.

eid: You have classes coming up, of course. Any aid work coming up for you?

GEOFF LAWTON: Well, I have aid work coming up in Vietnam and in Thailand next year, and I’m on consultancy, at a distance, with a lot of different aid work scenarios. Right now, there’s a group of us seriously looking at the possibility of formulating a permaculture aid organisation which can establish NGOs in many places. All of that has to be speeded up, I think.

>>>END.<<<

[Douglas Barnes is a relentless doom watcher based in Tokyo, Japan. He runs and contributes to a few great websites, including A Logical Voice, Permaculture Reflections and the classic Tokyo Tightwad.]

[for an article about tsunami tree belt buffers, check this out - ed.]